Luca Torelli is TORPEDO 1936

por Kike Benlloch Castinheira Synapsis vol.II / August'97

A text © by Kike Benlloch/RedCrow, Registo Legal C-1480-1995

Originally released in RedCrow#5 (in Spanish)


Torpedo is the best comic-book of the 1980s --Joe Kubert


TORPEDO 1936 is simply put the best Spanish comic-book ever made. In a country where envy is considered the national sin par excelence, and where too many people are utterly unable to admit their neighbours' virtues, only international success, endless hours of hard work and the absolute determination of Torpedo's creators of not kneeling before any form of censorship, have finally lead this comic to the important place in the comic-book international scene where it rightfully belongs to.

A real blockbuster, as the Americans would say, a giant masterpiece beyond those mediocre European comic creators whose audience is a bunch of self-righteous snobs or those American comic creators who treat their readers as primates seeking Leefeld-like-big-explosion-&-big-boobs-crap.

How many art pieces have enough personality and power so that unique filmmakers such as Federico Fellini and Quentin Tarantino, and legendary comic-book creators as Will Eisner and Joe Kubert all agree to be included in the same list of admirers? Only one: the story of Luca Torelli, a.k.a. Torpedo.

Who is Torpedo, the man? Here's his police file:

real name Luca Torelli
aliases Torpedo
age 32 yrs
hight 5'8'' (1.77m)
eye colour blue
hair colour dark
constitution normal
nationality US citizen
profession murderer for hire.
address some dark alley in N.Y.C.
personality worst s.o.b. you can think of.
Machoist, violent and mercyless killer.
born in Italy.
social behaviour extremely dangerous.
clothes wears bone-colour suits, Stetson felt hats, black silk shirts, white ties and kid-skin gloves.
other characteristics smokes filter-less American cigarrettes.
ideological adscription sex and money, survival and stepping on anyone standing in his way.


What should be said about a character like this one? Seen from the distance, Torpedo isn't much more than a metaphore of the human condition, from the most pessimistic perspective. Taking Luca Torelli seriously as a role model would be such a stupidity as taking seriously Judge Dredd's stories --something only an @$$#01e as Steel Vestar Stalown would do--: besides showing very little intelligence by not understanding the character's inherent irony, it could become pretty dangerous. Torpedo 1936 is a comic-book for people who can laugh at Humankind and its most pathetic miseries, no matter how dark both its scenery and humour can become. Torpedo's creators, Jordi Bernet (artist) and Enrique Sánchez Abulí (writer) are provokers by the form and core of the stories they tell.

What about Torpedo, the comic-book? After all these years it isn't too clear who had the original idea. According to sources of Glčnat (the firm that edits the book in its original market nowadays), the eminent Spanish editor Josep Toutain had the original concept and passed it onto Enrique Sánchez Abulí. Other sources assure that it was Sánchez Abulí the only man behind the original idea. Either one way or the other, both the editor and the writer were essential to the creation of the character back in 1981. It was the famous American artist Alex Toth who first drew Torpedo. His style fitted perfectly in Torpedo's world of dark alleys and gangsters, but apparently Mr Toth's conscience didn't fit in as well. Scared or outraged by the series' high content of sex and violence, the artist quitted in a very early stage of the book. Only one year afterwards, in 1982, Torpedo found in the fabulous and experienced comic-book artist Jordi Bernet the other parent he had been looking for. Pun-filled and provocative scripts and top-quality black and white art, it was very clear from the beginning that this was a match made in Heaven (or somewhere else, who knows) for a book soon to become an outstanding reference in the whole continent. And elsewhere, as time went by.

Torpedo started off in the Spanish edition of Creepy and then moved on to Totem magazine. Step by step the character made his own place in the international market. Only five years after Alex Toth's first approach at this murderer for hire, in 1986, the comic-book began to gather an increasing number of awards and a wide European-scale acknowledgement. In the prestigious annual Angouleme Convention (France), Torpedo received the award for best foreign comic-book. These were the steps that eventually would lead to the road of success and admiration that the creators of Torpedo have enjoyed to this very day.

Torpedo has been published in many countries and translated to a dozen languages. In Spain, the process for the release of new materials of the character was always quite similar. First, the new pages were published in some comic-book magazine in small monthly contributions to the publication. Then, all these pages were collected in a hardcover. Nevertheless, the edition of Torpedo that we have been most fond of has been the American-style edition. This one, run by the firm Glčnat, began in 1994. A comprehensive compilation of all the Torpedo stories from its very first to the latest one released to the date, was delivered in thirty monthly b&w 24-page comic-books.

A new Torpedo hardcover has been being released with an acceptable degree of regularity in the most recent years.